Watercolor postcard painted by me!
I just finished taking part in the 11th August Poetry Postcard Fest. It was the second time I signed up to send original poems on postcards for every day of the month of August. That’s 31 days, 31 poems! For a poetry project, the postcard fest is a bit rule-bound. There was a Facebook page for making connections during the fest, some people loved it, others felt it hindered the pure snail-mail experience. I checked in every once in a while and posted some pics of cards going out. The major ‘rule’/suggestion which I was unable to adhere to both times I’ve taken part in the fest involved composing directly onto the postcard. It’s not that I worry about my handwriting, though the few cards I wrote out by hand were near illegible. I did compose directly onto the first few cards this time around, but abandoned it in favor of getting some real poetry-writing done. A personal and artistic decision. I just couldn’t waste an opportunity to produce a handful of poems that might live to see the light of day. This may be antithetical to the Fest’s aims, but it’s what worked for me. Here’s an example of how subsequent cards went out, my post solar eclipse card and poem:
Every morning I composed an original poem directly into a Word document, no revising. I printed each poem in 9 or 10 point font and taped it to the back of the card. I took a photo of each day’s card front and back, but the poems are saved in a future chapbook file. Here’s the thing, about a year ago I began a project I called ‘Missives’; a collection of prose poems written as letters. I had about eight poems in that file going into the Fest. I woke up on the third or fourth morning realizing that the Poetry Postcard Fest would be the perfect opportunity to write more poems toward ‘Missives’. I chose this rather than producing a few throwaway (for me) handwritten lines. I approached my first postcard fest a few years ago in the same way. A handful of poems from that year’s cards made it into my second collection. I find the matching of poem to postcard image or vice versa to be profoundly generative. Some days I wrote the poem first and searched my copious postcard collection for the perfect image. Other days I wrote a poem specifically for the card.
After all was said and done (or printed, taped and posted) I had 10 to 12 poems I felt were strong enough to add to my ‘Missives’ project, which has changed focus slightly and been renamed. A theme emerged through my month-long writing exercise, so even the poems I don’t feel are strong enough to hold their own seem to be in dialogue with the others. Of course, this is the beauty of poetry. The themes dominating my psyche and spirit would have remained shadowy or subterranean. The writing made them real and I believe it was the meditative writing practice that achieved this. For me, dwelling on the themes that began to emerge was the only way to participate in the Poetry Postcard Fest. The Fest, as it did the first time around, gave me the reason and motivation to write poems. Being a sender and recipient of poems kept me on task. I understand the immediacy of handwriting directly onto a card, the logic, connection and aesthetic behind it. But, overall I think poets taking part in any lengthy writing project (MFAs included!) should make the project work for them. Rules are malleable and writing poetry isn’t like learning a language or writing code. What works one day may not work the next. And what works for 1 or 100 poets may not work for you! Finally, a big thank you to my Group 5 compatriots. Thank you for your poems and cards, so many of them handmade. ‘Til next year!
Postcards I received from Group 5 participants